Janet Jackson Concert Unbreakable Best Tour Tickets Philips Arena Atlanta in Albany, Georgia For Sale

JANET JACKSON UNBREAKABLE TOUR TICKETS
Janet Jackson Tickets
Philips Arena
Atlanta, GA
Thursday
3/3/xxxx
8:00 PM
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Updated Janet Jackson Concert Tickets Unbreakable xxxx & xxxx Tour
Janet Jackson Tickets Unbreakable Tour!
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Scotiabank Saddledome
Calgary, Canada
Wednesday
9/2/xxxx
8:00 PM
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Rexall Place
Edmonton, Canada
Friday
9/4/xxxx
8:00 PM
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Revolution Place
Grande Prairie, Canada
Saturday
9/5/xxxx
7:30 PM
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SaskTel Centre
Saskatoon, Canada
Monday
9/7/xxxx
7:00 PM
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Van Andel Arena
Grand Rapids, MI
Friday
9/11/xxxx
8:00 PM
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PNC Pavilion At The Riverbend Music Center
Cincinnati, OH
Saturday
9/12/xxxx
8:00 PM
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Air Canada Centre
Toronto, Canada
Tuesday
9/15/xxxx
8:00 PM
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Walnut Creek Amphitheatre
Raleigh, NC
Thursday
9/17/xxxx
8:00 PM
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PNC Music Pavilion - Charlotte
Charlotte, NC
Friday
9/18/xxxx
8:00 PM
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American Airlines Arena
Miami, FL
Sunday
9/20/xxxx
8:00 PM
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Amway Center
Orlando, FL
Wednesday
9/23/xxxx
8:00 PM
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Amalie Arena
Orlando, FL
Thursday
9/24/xxxx
8:00 PM
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Chastain Park Amphitheatre
Atlanta, GA
Saturday
9/26/xxxx
8:00 PM
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Ascend Amphitheater
Nashville, TN
Sunday
9/27/xxxx
8:00 PM
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Fedex Forum
Memphis, TN
Tuesday
9/29/xxxx
7:00 PM
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Smoothie King Center
New Orleans, LA
Wednesday
9/30/xxxx
8:00 PM
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Bill Graham Civic Auditorium
San Francisco, CA
Tuesday
10/13/xxxx
8:00 PM
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Bill Graham Civic Auditorium
San Francisco, CA
Wednesday
10/14/xxxx
8:00 PM
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The Forum - Los Angeles
Inglewood, CA
Friday
10/16/xxxx
8:00 PM
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Viejas Arena At Aztec Bowl
San Diego, CA
Saturday
10/17/xxxx
7:30 PM
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Comerica Theatre
Phoenix, AZ
Monday
10/19/xxxx
7:00 PM
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Santa Barbara Bowl
Santa Barbara, CA
Wednesday
10/21/xxxx
7:00 PM
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Santa Barbara Bowl
Santa Barbara, CA
Thursday
10/22/xxxx
7:00 PM
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EnergySolutions Arena
Salt Lake City, UT
Saturday
10/24/xxxx
7:00 PM
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Pepsi Center - Denver
Denver, CO
Sunday
10/25/xxxx
8:00 PM
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Sprint Center
Kansas City, MO
Tuesday
10/27/xxxx
7:30 PM
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Chaifetz Arena
Saint Louis, MO
Thursday
10/29/xxxx
8:00 PM
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Target Center
Minneapolis, MN
Sunday
11/1/xxxx
8:00 PM
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The Chicago Theatre
Chicago, IL
Tuesday
11/3/xxxx
8:00 PM
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The Chicago Theatre
Chicago, IL
Wednesday
11/4/xxxx
8:00 PM
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The Chicago Theatre
Chicago, IL
Friday
11/6/xxxx
8:00 PM
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Neal S. Blaisdell Center - Arena
Honolulu, HI
Thursday
11/12/xxxx
8:00 PM
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Neal S. Blaisdell Center - Arena
Honolulu, HI
Friday
11/13/xxxx
8:00 PM
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Neal S. Blaisdell Center - Arena
Honolulu, HI
Sunday
11/15/xxxx
8:00 PM
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Moda Center at the Rose Quarter
Portland, OR
Tuesday
1/12/xxxx
8:00 PM
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Honda Center
Seattle, WA
Saturday
1/16/xxxx
8:00 PM
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Tucson Arena
Tucson, AZ
Tuesday
1/19/xxxx
8:00 PM
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AT&T Center
San Antonio, TX
Thursday
1/21/xxxx
8:00 PM
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Toyota Center - TX
San Antonio, TX
Saturday
1/23/xxxx
8:00 PM
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American Airlines Center
Dallas, TX
Sunday
1/24/xxxx
8:00 PM
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Quicken Loans Arena
Cleveland, OH
Tuesday
2/2/xxxx
7:30 PM
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Palace Of Auburn Hills
Auburn Hills, MI
Friday
2/5/xxxx
8:00 PM
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Consol Energy Center
Pittsburgh, PA
Saturday
2/6/xxxx
8:00 PM
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Prudential Center
Newark, NJ
Wednesday
2/17/xxxx
8:00 PM
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Sands Bethlehem Event Center
Bethlehem, PA
Friday
2/19/xxxx
8:00 PM
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Barclays Center
Brooklyn, NY
Monday
2/22/xxxx
8:00 PM
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Wells Fargo Center - PA
Philadelphia, PA
Wednesday
2/24/xxxx
8:00 PM
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TD Garden
Boston, MA
Friday
2/26/xxxx
8:00 PM
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Royal Farms Arena
Baltimore, MD
Monday
2/29/xxxx
8:00 PM
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Verizon Center - DC
Washington, DC
Tuesday
3/1/xxxx
8:00 PM
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Philips Arena
Atlanta, GA
Thursday
3/3/xxxx
8:00 PM
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Lawrence Joel Veterans Memorial Coliseum
Winston Salem, NC
Friday
3/4/xxxx
8:00 PM
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Colonial Life Arena
Columbia, SC
Sunday
3/6/xxxx
8:00 PM
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Jacksonville Veterans Memorial Arena
Jacksonville, FL
Tuesday
3/8/xxxx
8:00 PM
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BB&T Center
Sunrise, FL
Wednesday
3/9/xxxx
8:00 PM
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recognisable when "reduced" from Amory's extravagance. But that extravagance extends the distances from furlongs to leagues; deepens the caverns from yards to furlongs; and exalts fell and scar into Alps and Andes. In the same way he has to marry eight wives (not seven as has been usually, and even by the present writer, said), who are distractingly beautiful and wonderfully wise, but who seldom live more than two years: and has a large number of children about whom he says nothing, "because he has not observed in them anything worth speaking about." The courtships are varied between abrupt embraces soon after introduction, and discussions on Hebrew, Babel, "Christian?deism," and the binomial theorem. In the most inhospitable deserts, his man or boy[10] is invariably able to produce from his wallet "ham, tongue, potted blackcock, and a pint of cyder," while in more favourable circumstances Buncle takes his ease in his inn by consuming "a pound of steak, a quart of green peas, two fine cuts of bread, a tankard of strong ale, and a pint of port" and singing cheerful love?ditties a few days
after the death of an adored wife. He comes down the side of precipices by a mysterious kind of pole?jumping--half a dozen fathoms at a drop with landing?places a yard wide--like a chamois or a rollicking Rocky Mountain ram. Every now and then he finds a skeleton, with a legend of instructive tenor, in a hermitage which he annexes: and almost infallibly, at the worst point of the wilderness, there is an elegant country seat with an obliging old father and a lively heiress ready to take the place of the last removed charmer. [10] It has been observed, and is worth observing, that the eighteenth?century hero, even in his worst circumstances, can seldom exist without a "follower." Mad, however, as this sketch may sound, and certainly not quite sane as Amory may have been, there is a very great deal of method in his, and some in its, madness. The flashes of shrewdness and the blocks of pretty solid learning (Rabelaisian again) do not perhaps so much concern us: but the book, ultra?eccentric as it is, does count for something in the history of the English novel. Its descriptions, rendered
through a magnifying glass as they are, have considerable power; and are quite unlike anything in prose fiction, and most things in prose literature, before it. In Buncle himself there is a sort of extra?natural, "four?dimension" nature and proportion which assert the novelist's power memorably:--if a John Buncle could exist, he would very probably be like Amory's John Buncle. Above all, the book (let it be remembered that it came before Tristram Shandy) is almost the beginning of the Eccentric Novel--not of the satiric?marvellous type which Cyrano and Swift had revived from Lucian, but of a new, a modern, and a very English variety. Buncle is sometimes extraordinarily like Borrow (on whom he probably had influence), and it would not be hard to arrange a very considerable spiritual succession for him, by no means deserving the uncomplimentary terms in which he dismisses his progeny in the flesh. If there is an almost preposterous cheerfulness about Buncle, the necessary alternative can be amply supplied by the next book to which we come. The curious way in which Johnson almost invariably
managed to hit the critical nail on the head is well illustrated by his remark to Frances Sheridan, author of the Memoirs of Miss Sydney Bid[d]ulph (xxxx), that he "did not know whether she had a right, on moral principles, to make her readers suffer so much." Substitute "aesthetic" for "moral" and "heroine" for "readers," and the remark retains its truth on another scheme of criticism, which Johnson was not ostensibly employing, and which he might have violently denounced. The book, though with its subsequent prolongation too long, is a powerful one: and though actually dedicated to Richardson and no doubt consciously owing much to his influence, practically clears off the debt by its own earnings. But Miss Bidulph (she started with only one d, but acquired another), whose journal to her beloved Cecilia supplies the matter and method of the novel, is too persistently unlucky and ill?treated, without the smallest fault of her own, for anything but really, not fictitiously, real life. Her misfortunes spring from obeying her mother (but there was neither moral nor satire in this then),